What I've Learned About Scene

     I wanted to talk about scene today. I'm working on the first draft of a middle grade novel. (I've had a few false starts.) In the process I have noticed a few things. 1) I keep trying to order things 2) My "beginning" is getting vague as I go deeper into my story.3) I keep reading over my written scenes.  *pulling out hair*

    I've continued to look for all the advice I can about the role scene plays in the novel. The main point idea: scenes are the starting point for story. Usually, scene presents itself long before you have a coherent story. However, we who are control freaks or want to sound "authory" try and explain the scenes instead of just writing them. Don't misunderstand this is not the editor showing its fangs--that comes later. This is our need to order things, understand exactly where we are going, write everything in our minds eye and plan accordingly.

     So, what to do. Well, here it is...*listen up you pantsers your gonna love this*. Story shouldn't be our concern until we have created enough narrative that the "elements themselves begin asking for the coherence of structure" (Vandenburgh, 27). Simply stated: Write our brains out without thinking about order or where it's taking us. As far as this draft is concerned, the writing should suck. Vandenburgh calls this "prewriting" to make it easier to toss later.(Resource: Architecture of a Novel by Jane Vandenburgh.)

    Holly Lyle on her post about scene states,"As the atom is the smallest discrete unit of matter, so the scene is the smallest discrete unit in fiction..." Our scenes are to story what scaffolding is to skyscrapers. It appears we try to manipulate our scenes before we give them a chance to spill out on the page. 

     Kay Kenyon writes,"If you are reading and re-reading your last few pages to get a run-up on your next scene, stop this now. Rereading causes revision blindness later."  She suggests using a tool called a scene list to jot down things that occur to you while you are writing to keep you from going back. I believe this is similar to the process Joyce Carol Oats uses when the story is first being born.

     Linda Clare explains that the most important element of scene is change, something has to happen. We still have the work of choosing, we need not tell everything in our minds eye. The adage..."Enter late, leave early" should be all the order we care about at this point.

     I love Jean Oram's analogy of a scene to a Thanksgiving dinner. What if you sat everyone down, insisted that everyone act a certain way, eat in an order you dictate and not allow any spontaneity. Why? Because, it is your dinner and you have a vision of what it "should" look like. She goes on to explain that this would create a "cardboard cutout of real life". This is what too much pressure to order can do to scene. (Besides, whats Thanksgiving without some drama?)

Bottom line folks...there is a ton of great advice out there. At some point you discover what works for you and I have great faith that I will too.

What helps you to get the story on to the page? What role does scene play in that process?

Monday, Monday, I'm Not Cryin' But I Could Be

 Tweet    Monday's are sometimes tough for writers, at least they can be for me. This is when I plan my week. What I have to do, what I want to do and especially what is most important to do.

It is always easy to plan the have-to's,  they are usually scheduled appointments, things that have deadlines this week, people you have committed to. Done!

Similarly, want-to's are often easy simply because they don't even have to to written down and they still have a pretty good chance of happening. You know...read that book, eat that last piece of pie, call a friend, watch a movie...buy those boots you saw on sale... Done!

It's the most-important-to-do's that seem to have the hardest time finding space on the calendar. Now, let me clarify. I'm not talking necessarily about need-to's either. Need to's are like the laundry, changing a diaper, cooking a meal. They will happen and if they don't there are consequences: screaming baby, nothing to wear, starvation. What I'm talking about are the things like...cut calories and eat healthy, exercise, work on my WIP,  the things that no one is going to call you on if they don't happen.

So, how can I make this happen? Here is the hard part...schedule it just like an appointment.

You have to set aside a special time to actually do it. Even more important is you have to be specific. Exactly, what is going to happen during that time. What is this bite going to look like? This is where I often go wrong. I either plan way too huge a bite that I choke on it or I make it too vague and spend most of the time fumbling around without really accomplishing anything.

Is this easy?   Hell no!  Do I always succeed? Double hell no! Why do I keep trying? I try because I believe that is why we have new days, new hours, new minutes so we can try it again.

How is your Monday going? Sometimes I have to push my Monday to Tuesday, what about you?